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Improve Your Sight-reading! Piano, Level 3: A Progressive, Interactive Approach to Sight-reading (Faber Edition: Improve Your Sight-Reading), by Paul Harris
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This is the brand new edition of Paul Harris' very popular Improve Your Sight-Reading! Piano series! The covers now contain US levels! Now more than ever, the ability to sight-read fluently is an essential part of the pianist's training, whether playing alone, as an accompanist or with ensemble. This workbook is designed to help overcome the nerves that can cause sight-reading problems. Step by step it helps the player to create a complete picture of each piece, first through rhythmic and melodic exercises related to specific problems, then by the study of prepared pieces with associated questions for the student to answer, then finally to the real, unprepared sight-reading test itself. Check-boxes for each stage allow both teacher and pupil to keep a record of progress.
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Product details
Series: Faber Edition: Improve Your Sight-Reading
Paperback: 40 pages
Publisher: Alfred Music; New edition (December 1, 1998)
Language: English
ISBN-10: 0571533132
ISBN-13: 978-0571533138
Product Dimensions:
8.8 x 0.2 x 11.7 inches
Shipping Weight: 5.6 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
19 customer reviews
Amazon Best Sellers Rank:
#98,249 in Books (See Top 100 in Books)
There are 8 books in this series and the "Search Inside" showed very little of any of them. I knew I wasn't a complete beginner but not sure how to choose any other level. (Several months of lessons as a child--many years ago--and kind of playing around "fake book" style ever since. Can play single notes in the treble clef easily --but not without looking at the keyboard and can't read combos/chords on sight. The bass clef is harder. I can identify single notes about low C but can't play simultaneously with treble notes. Lower than that, and I have to think about it too long.)I share this in case it will help anyone else identify the level this book would be suited for--what the author considers "late elementary". It assumes you know or can figure out the names of notes in treble and bass clefs-- no letter identification-- "A, G#, etc". So you need to be able to identify the notes already.Also important is that there is nothing faster than eighth notes, and not very many exercises with them. What worked very very well for me was that the exercises were written with both treble and bass clef parts BUT rarely played together. There might be a note overlapping at the beginning or in the middle of a measure, but you're not playing both hands simultaneously very often (this is good as it helps with sight reading--individual notes (a few two-note chords in treble or bass but they repeat in the measure--you're not asked to change very quickly. Similarly with the treble and bass notes mainly alternating measures (with a little single-note overlap), this is very manageable. It was very "doable" in that my sight reading improved and I didn't feel overwhelmed.I imagine in the next book -- Low Intermediate-- there are more notes in combination, and more overlap between bass and dtreble clef. Probably also more eighths, sixteenths and complicated rhythm patterns (the rhythm here is pretty straightforward--if a measure has eighth notes, it probably is ALL eighth notes, or a beginning quarter or half note. You don't have to count out patterns in advance ("sight reading!") and its perfect for practicing with a metronome.Great book!
I'm a pianist at the intermediate level, but my sightreading skills are well below par. This book arrived today, I completed the first three exercises and used Harris's method on an arrangment of a Haydn piece from the Haydn-Shaum book (Book I). Much to my delight, I was able to play through the piece correctly and musically despite never having played it before. Harris has you clap the rhythm, make a note of key and time signatures, as well as scan the piece to make a note of finger changes - these are based on finger changes made while playing scales. This kind of prep prior to playing a piece ensures that one sight reads fluently and well.The exercises are musical and incorporate rhythms and finger changes (dotted quarter notes followed by eighth notes etc.) that one would encounter in any piece of music. The rhythm moves from treble to bass clef so both hands are given equal importance.I strongly recommend Harris's books (they are graded, so start at whatever level you're comfortable sight-reading) to anyone who wishes to improve their sight-reading skills, and wants to play a piece musically and fluently from a score at first sight!
Amazing Books, I love the series, they are very helpful and easy to follow.
Have to self teach because of where I live. This is exactly what I was looking for. I've made this a regular part of my practice regimen.
Certainly does help with sight reading. I have the earlier volume and working up the books you can see an improvement in how fast you can sight read
Excellent book
This series of sight reading books by Paul Harris are an excellent method to use for improving your sight reading ability. I bought them for my students, but I am also using them. I started with book one and I'm going through the entire series.
My sight reading is coming right along in spite of Paul Harris. Great addition to my method book library though.
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